Jason Botkin
A woman sits in an armchair in the shop's front window, black-and-white drawings covering the walls and floor around her.
A woman sits in an armchair in the shop's front window, black-and-white drawings covering the walls and floor around her.

Projects

EM × STAT!C

EM × STAT!C

EM × STAT!C

Hot Springs, Arkansas

STAT!C is not a boutique in the traditional sense, but a frequency.

Located in Hot Springs, Arkansas, the space operates somewhere between gallery, studio, cultural living room, music venue, archive, workshop, and experiment. Built on a foundation of curiosity, hospitality, and participation, it continues to evolve through the contributions of artists, musicians, neighbours, collectors, and visitors who pass through its doors.

The EN MASSE intervention emerged naturally within this environment.

Rather than arriving as a standalone installation, the project became part of an already active ecosystem of exchange. Working within a shared black-and-white visual language, artists and participants contributed imagery, typography, abstractions, symbols, and spontaneous interventions that gradually accumulated across walls, windows, architectural surfaces, and objects throughout the space.

An artist drawing on a wall from a ladder inside STAT!C
An artist drawing on a wall from a ladder inside STAT!C
An artist drawing on a wall from a ladder inside STAT!C

What makes STAT!C compelling is not the drawing itself, but the conditions that allow it to remain alive.

The walls are not preserved.

They are used.

New marks appear. Older sections disappear beneath fresh layers. Conversations become drawings. Drawings become memories. Individual contributions remain visible while simultaneously dissolving into a larger collective composition.

A participant contributing a drawing to a hallway wall at STAT!C
A participant contributing a drawing to a hallway wall at STAT!C
A participant contributing a drawing to a hallway wall at STAT!C

In this sense, the project functions less as an artwork than as a social document.

The imagery records relationships, gatherings, performances, experiments, and moments of participation that might otherwise leave no trace. What accumulates on the walls is not simply drawing, but evidence of cultural life unfolding over time.

For me, projects such as STAT!C reveal an important possibility within collaborative practice. Creativity is not a scarce resource distributed among a talented few. It is a social condition that emerges when people are invited to participate.

Chairs and painting supplies inside the STAT!C space in Hot Springs, Arkansas
Chairs and painting supplies inside the STAT!C space in Hot Springs, Arkansas
Chairs and painting supplies inside the STAT!C space in Hot Springs, Arkansas

The resulting environment remains unfinished by design.

Completion would contradict its purpose.

STAT!C continues to evolve because the community that created it continues to evolve.

What remains is an ongoing record of a community drawing itself into being.